We’ve been friends for many years, so I was happy that they hooked up. Where the world's greatest drummer meet. He’s so honest. We treasure those relationships. We would be sitting in the studio late at night before shutting everything down, and I’d say, “Hey, George, play ‘Cloud’ for me,” and he would put it on and sing along with it. Jim: Well, thank you, but I don’t know if anybody can really do Ringo. MD: Did you hear the songs beforehand? “He … He had such a down-to-earth quality. Jim played and was friends with both George Harrison and John Lennon for many years, so we started our chat on that subject. It wasn’t meant to be “having the mates,” you know what I mean. You can check it out yourselves. According to Jim Keltner, the decision on the group's future after Vol. TO READ THE FULL STORY: I used to come down in the morning and stand on this part of the balcony that extends out over the room a little bit. Jim: He didn’t send me any demos, but he would have ideas on tape. About Wondros: Inspiring a world where anything is possible… We custom-craft campaigns and tools to inspire passion, incite action, and propel change.Be sure to check out this related video: JESSE'S OFFICE (Ep #16) \"Alfred Mann Foundation\" with ROBERT GREENBERGhttps://www.youtube.com/watch?v=ZX9blY_skWM\u0026t=14sConnect with Wondros:Web: www.Wondros.com Facebook: facebook.com/Wondros Instagram: instagram.com/wondros Twitter: twitter.com/wondros “Please click like and subscribe to my Wondros channel. Incoming transmission from Joe Wong. He didn’t want fancy fills and he didn’t want too much quirkiness. It’s impossible. The next session I went to, Jim Keltner was the drummer. Charlie Watts/Jim Keltner Project : Shelly Manne - This first track is indicative of what is to come on this CD. He could see through you from a long distance. ARTICLE: INTERVIEW April 2, 2020. Jim has played with just about everyone in music royalty, and it’s no mystery why: Everyone wants Jim’s feel-good vibe on their recordings. Jim: Yes. It was hard to do that sometimes, because he would always talk to me about Ry Cooder and how he loved Ry’s records, which I played on. Well, I would have to say yes, because, first of all, John never played the drums in front of me. MD: Were all your drum tracks completely finished before he passed away? Music, Film, TV and Political News Coverage. All Rights Reserved. He was a real people person. And Ringo said “George.” Would you agree with that? By submitting, you agree to receive communications (emails & texts) from Modern Drummer. George had them in his studio for years. He looks so much like his dad too. Playing with Ringo is something everyone should have a chance to do. He went through some pretty heavy stuff man. Once we started it was just one song right after the other. I used those hi-hats on everything I ever played with George?Cloud Nine – everything. Those who lie below the surface waiting for the phone to ring and the calendar to fill up. He was an extraordinary guy. Anyway, on the last day of the sessions for Brainwashed, as I was packing up, I was putting the cymbals back in the box like I’d done for so many years, and I said, “George I’m going to take these hi-hats with me.” He said, “Why are you taking me hats?” And I said, “I’ve been coming here for years, and nobody else ever uses them but me. But when it came down to playing on his songs, it wouldn’t work for him, so he would always have me kind of straighten out things and play more conventional and basic. He genuinely liked people. Jim: Oh yeah, George had a lot of set ideas, so he would tell me pretty much what he would want. MD: I know you had a great friendship with George besides just playing music. You just want to hang with Jim. It messes me up. I didn’t do any more after?. George was pretty outspoken about stuff. “He traded me some studio gigs for a chance with Delaney and Bonnie,” recalls Keltner, who worked with John Lennon, George Harrison, Bob Dylan and Randy Newman. Add to Favorites Add to My Lessons. These are followed by two famous drummers, individually, in free solo improvisations. But when I arrived for this recording, I walked in and the drums were set up right in that space. The Jim Keltner Interview Posted by jakefeinbergshow on Aug 11, 2014 in Bluegrass, Folk, Latin, Music, Rhythm and Blues, Rock | 2 comments This program has been dedicated to the unsung. And that there was a *ballad* co-written witb Jim Capaldi that was left off the album. Jim: Yeah. And I ended up using George’s drumset. It’s like nobody can ever do Charlie. We were driving in every day to meet Stevie Winwood. The son of the Beatles guitarist takes a break from his many projects to finally release his debut solo album. Pure George. The prolific Kyoto-born singer, songwriter, and producer has never been one to look back at his past work, and like his longtime friend and collaborator Haruomi Hosono, Kubota remains eternally humble, preferring to let the music do the talking. Of course I never had any problem with that, because that’s the job. He says that all his drumming on Brainwashed was made before the stabbing. MD: I can hear the Ringo influence on “Rising Sun.” If anyone can get it to feel like Ringo, it’s you. He wasn’t like most of your friends. He’ll give you a look, a glance, just like his dad. My bedroom was on the third floor – “the loft,” they used to call it. Let me put drums on it,” and he’d say “okay.” So we’d put drums on it, but then I’d never be sure whether he was going to use it. JK: I might have used one of my cymbals. By JAKOB BAEKGAARD. So when I would go to his studio at Friar Park later on, I would hardly ever take anything with me, maybe just a certain cymbal and a snare – little things. Jim: And it’s not just the looks either. MUSICIAN. read more . An Interview with Jim Keltner | Modern Drummer Magazine They were given to Ringo, and he gave them to George. We go so far back, I’m sure that’s why our friendships are real solid. But I think he was so prepared, and everything just fell into place the way he wanted it. It had a magical, misty, very English sort of quality to it. I found this statement.. When George played drums he had all the basic language. 2015 Audio Interview with Jim Keltner from the I'd Hit That podcast October 2015* "Jim Keltner on Booker T. and the MGs"(2007 Variety article by Jim Keltner) 2005 Interview by Modern Drummer magazine; Jim Keltner Billboard biography; Jim Keltner on IMDb They were in a … And I made lifelong friendships [with musicians, including drummer Jim Keltner] at that session. Jim: I hope that song doesn’t upset a lot of people. He knew what to do with his feet and the hands. MD: George’s son Dhani did a very nice job co-producing Brainwashed with Jeff Lynne. The hi-hats were a pair of Arbiters that said “602” on them. MD: On the song “Brainwashed,” you could tell he was mad at the music business. I didn’t even use any of my snares. The Chad Smith Show with Jim Keltner and Terry Bozzio – Show Overview These three legends sat down and Chad interviews them regarding their playing history, philosophy on professionalism and their thoughts on the newer drummers of today. Can you come over?” I’d say, “What have you got?” and he’d say, “I’ve got some new ones and some of the ones you’ve heard over the years.” It was always such a thrill when I’d first hear them. And please leave comments. When he called me to come do the drums, it was before the stabbing, and I believe after his throat operation. It’s the same thing with Charlie [Watts] and The Stones, or any of my other friends with such high profiles. I realized that any one guy could make the thing really come alive. Keltner said that from his conversations with Lynne, Petty and Dylan, they were all keen to reunite, whereas Harrison wavered in his enthusiasm. I was so knocked out. Jim: “Any Road” is one of my favorites. Charles Rumback: Singing Structures of Rhythm. MD: Would he direct you to play a certain way? So he pretty much had everything I – or anybody – would need. Bonnie Bramlett is the female part of a new recording act, Delaney & Bonnie and Friends, and the wife of the Delaney part. 1 32 Episodes Exclusive in-depth documentaries exploring the lives and work of some of the greatest all-time drumming legends. Jim: [laughs] Good question?. And yet, he had a tremendous bullshit meter. Eric [Clapton] put together the band based upon people who were close to George and who had a history with him over the years. Would George give you demos? MD: Would George ever say to you, “Play this one with a Ringo feel”? It was a beautiful place with a kitchen and den and everything. The other one that makes me cry every time I hear it, and probably always will, is “Stuck Inside A Cloud.” That’s one of his older one’s that he used to play for me all the time. MD: One of the questions I asked Ringo for Quick Beats was: Who was a better drummer, George or John? I had a hard time believing that. MD: How was this recording arrangement set up? Did Ringo know it was a joke, did he care either way. They’re still yours, though, so I’ll bring them back.” And he said, “Okay.” But I never got a chance to give them back to him. I saw him do that all the time. He would call me and ask, “What are you doing in February? He’s an incredibly busy guy: he hosts the Trap Set, a weekly interview podcast he’s helmed since 2015, where he sits down with artists like Mix Master Mike, Sharon Van Etten, Jim Keltner, Georgia Hubley of Yo La Tengo, among many others.He also makes music for film and TV—you’ve probably heard his work on Master of None, Russian Doll, … His singing and playing is so strong. Carmine Appice Interview with Liberty DeVitto, Chpt 8, Paul Nicholasen’s Rock ’N’ Roll Fantasy Camp Experience, Drummer Blog: Happy Fangs’ Jess Gowrie Shares Play-Through Video of Unreleased Track. When asked what he’s most proud of in his five decade career in music, the answer doesn’t come easy for Makoto Kubota. Very enjoyable phone interview with the great Jim Keltner .A composite of two interviews with the living legend. The Jim Keltner Interview. MD: I heard there was a pretty ballad that was left off this record that George wrote with Jim Capaldi. Hal Blaine, Charlie Watts & Jim Keltner Roundtable | pt. It didn’t have drums on it for many years, just these cheesy little keyboard samples from his E2 sampler, but for some reason it just takes me right to Friar Park every time I hear it. Receive updates & special offers from Modern Drummer and our advertising partners. [24] Harrison described the band's sound as "skiffle for the 1990s". Though, even when he’s angry and disgusted, he still sounds peaceful. Or he’ll say something and he’ll back his head off just like George. [laughs] Other people who have recorded here, Ray Cooper or Jim Capaldi, they come by and play, and they never use them. Jim: It was a very emotional night. MD: I saw a film clip of George-which featured you as well-where he was talking about the making of this new record. MD: So obviously there’s more stuff in the can. Copyright © 2020 Modern Drummer Publications. Jim: Oh Man! But George did, and he could play very well. So he went out and tested a few things and said, “It would be great.” I remember they had a whole bunch of 87’s [mic’s] out over the room to get the room sound. His mannerisms and how he moves his mouth, is just like George. There’s just nobody like Ringo. In this interview Keltner gives us perspective on Lennon as a person and as an artist. Jim Keltner. He use to quote that line all the time, “If You don’t Know Where You’re Going, Any Road Will Take You There.” I love that song so much. Jim Keltner Trying to establish a representative interview with Jim Keltner requires a sense of humor. In this episode of Jesse’s Office, we sit down with Jim Keltner, a legendary drummer who has worked with music icons like John Lennon and Bob Dylan. I would look over at Henry, and we’d be amazed at what he does to the beat–the way he pulls it back. I found an interview with Jim Keltner with a lot of interesting quotes. Now, George had this tremendous living room, which was like three stories high, with a balcony overlooking it. So they were early Paistes before they put their company name on their cymbals. People told me it was both powerful and intimate. He had such beautiful time. 5 recommend. Jim: No, he never, ever did that. I’ve read a lot of interviews with you over the years, and I always appreciate how you talk about being a Mudcrutch. Basically he would tell me what he didn’t want. It always gets credited to John, i didn't know it was said by a comedian. It instantly grabs you by the shoulders and makes you kind of "jive around"; you can't stop your upper torso from moving with the music. I never took gear to his place because years ago I had DW send him a real nice drumset with all the hardware and everything, and then Paiste sent a bunch of cymbals and stuff. I know it sounds trite, like, “Well, he was a Beatle, so of course he was an extraordinary guy.” But it’s so much more than that. Results for "Jim Keltner" Advanced search options. But you’re right, he had a calm and soothing way about him that makes it difficult to actually remember ever seeing him truly angry with anybody or anything. You just can’t do it. He just grooves, and when it’s time for a fill, he fully commits. Jim: He was annoyed at a lot of things during the period when he wrote that song. Then George would sit in the control room with John the engineer and they’d talk to me over the phones while I was out in the big room. Don Randi, the piano player, said, "Come over here, kid. Capaldi is a gifted songwriter and drummer. He knew he was leaving, he knew he was getting out of here. And if you ever met the man, you would know instantly that it’s not only great playing he brings to the session, it’s his warm and giving personality. So it’s a shame to just leave them here un-played. Jim: Well I hope so, but I don’t know for sure – I really liked the song they did but apparently George didn’t feel it was quite finished yet. They couldn’t see me and I couldn’t see them. I always want to play something appropriate for the song. He cracked me up a few times at the drums. Come sit down next to me." A few times over the years I’d snap my fingers to hear the sound, and I’d say to George, “It would be great to have the drums here,” and he’d just laugh, because he had a major studio built in another part of the house; why would he want to put drums there? Jim: No, both Wilburys recordings were done in California, so it was all my gear. MD: Some of the other tracks you’re on are “Pieces Fish,” “Never Get Over You”– what a great feel–and “Vatican Blues.”. My family and I feel very fortunate that we came into his life at such an early time. D hani is a British multi-instrumentalist musician, composer and singer-songwriter who is the only child of “the quiet Beatle”, George Harrison. He gave it his best shot. I guess he asked the engineer John Etchells whether the sound would be controllable. In episode three of LENNONYC: Beyond Broadcast, meet Jim Keltner, one of … Year after year, I come here to record, I go to the box they’re in, and there they are in the same position I put them in the last time. It brought tears to my eyes as I was watching it. Jim: Oh, God. I have a beautiful picture of him behind my set at the house. Ringo Starr might have just turned 80, but he can’t be accused of taking it easy. [Besides Keltner and Clapton, the players included Dhani Harrison, Anoushka Shankar [Ravi’s daughter], Tom Scott, Jim Horn, Billy Preston, Jeff Lynne, Joe Brown, Chris Stainton, Albert Lee, Marc Mann, Jools Holland, Klaus Voorman, Gary Brooker, Jim Capaldi, Tom Petty (with Steve Ferrone), Sir Paul McCartney, bass player Dave Bronze, percussionist Ray Cooper, and drummer’s Henry Spinetti, and Ringo Starr.]. Episodes. For more about George’s CD and Tribute Concert visit www.georgeharrison.com. They use the new batch that I had sent, or something else. 1996-98 AccuSoft Inc., All right fan before playing with Mudcrutch. It's not very often that legendary session great Jim Keltner hast time to conduct an interview. There was a way that people in the studios did these arrangements. And he loved the quirky side of my playing, which he always got a kick out of. He did that for me. The podcast covers interesting conversations with fascinating people, in Jesse’s Office. 3 lay with Harrison. MD: I guess at that level you get afraid because you don’t know what people really want from you. Versatility, personality and musical empathy are qualities that a modern drummer needs, and Charles Rumback has them in abundance. Watts stated that even though the tracks bore such names as the … After a successful collaboration with Jim Keltner on The Rolling Stones' Bridges to Babylon, Watts and Keltner released a techno/instrumental album simply titled, Charlie Watts/Jim Keltner Project. MD: It’s so nice to hear this new music. Subscribe to my youtube channel above. So I’ll probably give them back to Dhani. Eric was a young guy, but MD had used his photos in the November 1981 interview with his father. The way he plays drums and the way he is seem to be so alike. I don’t need to play something that tickles me. Jim Keltner needs no introduction to Modern Drummer readers. He was an inspiration for so many things in my life and my family’s life. “Tommy was a bad-ass,” said Jim Keltner, a drummer and former Tulsan who has played with the biggest superstars in music. Jim has played with just about everyone in music royalty, and it’s no mystery why: Everyone wants Jim’s feel-good vibe on their recordings. Jim Keltner, I believe, suggested his son, Eric, take the photos. Jim: Exactly. Opt out through the unsubscribe link in any marketing email. MD Interview with Don Lombardi – Founder of Drum Channel & Drum Workshop - 12/10/20 Since 1977, the world's most widely read drum magazine: in print, online, and the Modern Drummer app. Jim Keltner: I was over in London with Eric Clapton and staying at his place in Surrey. In this episode of Jesse’s Office, we sit down with Jim Keltner, a legendary drummer who has worked with music icons like John Lennon and Bob Dylan. An Interview with Jim Keltner Jim Keltner needs no introduction to Modern Drummer readers. He was funny and bright, and loved to share stuff. Until now. Recently we spoke with Jim about the new George Harrison studio album, Brainwashed, as well as the Harrison tribute concert at London’s Royal Albert Hall that took place November 29, 2002, a bitter-sweet affair held on the one-year anniversary of George’s passing. Ringo always played a beautiful Paiste 602 crash-ride, and his hi-hats are 14″ Zildjians that are so old you can barely see any logo. They are Ron Tutt, most well known as Elvis Presley's drummer, and Jim Keltner, former member of Gary Lewis and the Playboys and musical collaborator with John Lennon, George … He preferred those, so he left the Arbiter Paiste hats with George. Jim shares stories about what it was like to help record some of the greatest songs of all time and explains how to stay cool when performing alongside legends.About The Series: Jesse’s Office is a podcast moderated by Jesse Dylan, Founder of Wondros, and Priscilla Cohen, Chief Creative Officer at Wondros. [80] 2015 Audio Interview with Jim Keltner from the I'd Hit That podcast October 2015* "Jim Keltner on Booker T. and the MGs" (2007 Variety article by Jim Keltner) 2005 Interview … George and John would’ve had Ringo play on a lot more of their stuff if it hadn’t been for the fact that those were supposed to be their “solo” efforts. But he wasn’t mean-spirited. Jim: We’d sit out on the ledge talking until we got around to recording. That’s not what music is about–unless you’re doing a clinic or a drum record. But I would always do that. Before the COVID-19 pandemic shut down the live-music industry — and sent Phoebe Bridgers deep into quarantine — the Los Angeles-based indie-rock star had planned to … I do my best to respond\" - Jesse Dylan For more videos like this *SUBSCRIBE* to our YouTube channel: https://urlzs.com/A7b9Q Every time I played with George I would think of Ringo. Jim wrote a lot with Stevie Winwood in the “Traffic” days. Sometimes he would say, “Um – I don’t know about this one,” but I’d be like, “God, I love that one, George. Jim: That’s the thing. The first show features founding members Gregg Bissonette, Curt Bisquera, Thomas Lang, Luis Conte and Doane Perry.In this episode they discuss life in their home studios and stories about Jeff Porcaro, Phil Collins, James Taylor, plus their own experiences. So I gave Eric Keltner the green light, Jim Gordon was okay with Eric coming to the … To my eyes as I was happy that they hooked up George besides just playing.. 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